And Quiet Does Not Flow the Don: Statistical Analysis of a Quarrel Between Nobel Prize Laureates

TL;DR

This paper conducts a statistical analysis to investigate the authorship controversy surrounding Sholokhov's 'Tikhij Don', which was accused of being written by Fiodor Kriukov, highlighting a major literary scandal.

Contribution

It applies quantitative methods to analyze authorship claims, providing evidence in a historic literary controversy involving Nobel laureates and Soviet society.

Findings

Statistical evidence supports the authorship of Sholokhov for 'Tikhij Don'

The analysis challenges claims that Fiodor Kriukov authored the novel

The study offers a novel quantitative approach to literary authorship disputes

Abstract

The Nobel Prize in literature 1965 was awarded Mikhail Sholokhov (1905-1984), for the epic novel Tikhij Don about Cossack life and the birth of a new Soviet society (And Quiet Flows the Don, or The Quiet Don, in different translations). Sholokhov has been compared to Tolstoy and was at least one and two generations ago called `the greatest of our writers' in the Soviet Union. In Russia alone his books have been published in more than a thousand editions, selling in total more than sixty million copies. He was an elected member of the USSR Supreme Soviet, the USSR Academy of Sciences, and of the CPSU Central Committee. But in the autumn of 1974 an article was published in Paris, Stremya `Tihogo Dona' (Zagadki romana (`The Rapids of Quiet Don: the Enigmas of the Novel'), by the author and critic D$^*$. He claimed that Tikhij Don was not at all Sholokhov's work, but that it rather was written by Fiodor Kriukov, a more obscure author who fought against bolshevism and died in 1920. The article was given credibility and prestige by none other than Aleksandr Solzhenitsyn (a Nobel prize winner five years after Sholokhov), who wrote a preface giving full support to D$^*$'s conclusion. Scandals followed, also touching the upper echelons of Soviet society, and Sholokhov's reputation was faltering abroad (see e.g. Doris Lessing's (1997) comments; `vibrations of dislike instantly flowed between us'). Are we in fact faced with one of the most flagrant cases of plagiarism in the history of literature?