Class-Aware Permutation-Invariant Signal-to-Distortion Ratio for Semantic Segmentation of Sound Scene with Same-Class Sources
Binh Thien Nguyen, Masahiro Yasuda, Daiki Takeuchi, Daisuke Niizumi, Noboru Harada

TL;DR
This paper introduces a class-aware permutation-invariant loss and a redesigned evaluation metric to improve sound scene segmentation when multiple sources of the same class are present, addressing real-world complexities.
Contribution
It proposes a novel loss function and evaluation metric that enable better handling of same-class sources in semantic sound scene segmentation systems.
Findings
The proposed loss improves source separation with same-class sources.
The new metric reduces ambiguity in evaluation.
Experimental results show enhanced robustness and accuracy.
Abstract
To advance immersive communication, the Detection and Classification of Acoustic Scenes and Events (DCASE) 2025 Challenge recently introduced Task 4 on Spatial Semantic Segmentation of Sound Scenes (S5). An S5 system takes a multi-channel audio mixture as input and outputs single-channel dry sources along with their corresponding class labels. Although the DCASE 2025 Challenge simplifies the task by constraining class labels in each mixture to be mutually exclusive, real-world mixtures frequently contain multiple sources from the same class. The presence of duplicated labels can significantly degrade the performance of the label-queried source separation (LQSS) model, which is the key component of many existing S5 systems, and can also limit the validity of the official evaluation metric of DCASE 2025 Task 4. To address these issues, we propose a class-aware permutation-invariant loss…
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Taxonomy
TopicsMusic and Audio Processing · Speech and Audio Processing · Speech Recognition and Synthesis
