Digital Nature Revisited: A Ten-Year Synthesis of Art, Technology, and the Evolution of "Nature": Reimagining Post-Truth Ecologies Through Art, Algorithm, and Animism
Yoichi Ochiai, Takashi Shimizu

TL;DR
This paper critically re-examines the concept of 'Digital Nature' over the past decade, exploring its evolution across art, technology, and cultural perspectives, and proposing a multi-axis framework to understand its diverse interpretations.
Contribution
It offers a genealogical and philosophical survey of 'Digital Nature,' introduces a novel multi-axis framework, and discusses future directions involving AI and ethical considerations.
Findings
Digital Nature has evolved across media art, bio-art, and indigenous worldviews.
A multi-axis framework helps clarify diverse interpretations of Digital Nature.
Future developments may involve large language models and address ethical pitfalls.
Abstract
This paper critically re-examines "Digital Nature," a concept that has proliferated across various domains over the last ten years. By "Digital Nature," we refer to an evolving view of nature as a dynamic process of circulating computation and matter, one that extends into the realms of AI, XR, indigenous perspectives, and post-human theory. Despite its popularity, "Digital Nature" remains ambiguously defined. This paper provides a genealogical and philosophical survey of how the idea has emerged, diverged, and overlapped in media art, bio-art, and generative art, alongside relevant Eastern, Islamic, and indigenous worldviews. We then introduce a multi-axis framework (from real/virtual to anthropocentric/object-oriented, with sub-axes of enchantment and materialization), illustrating how digital technologies have reconceptualized the question "What is nature?" in unexpected ways.…
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Taxonomy
TopicsArt, Technology, and Culture · Digital Media and Philosophy · Posthumanist Ethics and Activism
