Multi-Source Static CT with Adaptive Fluence Modulation to Minimize Hallucinations in Generative Reconstructions
Matthew Tivnan, Amar Gupta, Kai Yang, Dufan Wu, Rajiv Gupta

TL;DR
This paper introduces a novel adaptive fluence modulation technique using spotlight collimators combined with a generative reconstruction algorithm to improve image quality and reduce hallucinations in multi-source static CT imaging.
Contribution
It presents a new method of fluence modulation with spotlight collimators and a generative reconstruction algorithm to enhance image quality in sparse-view low-dose CT scans.
Findings
Spotlight collimators increase exposure in regions of interest.
The Langevin Posterior Sampling algorithm improves reconstruction quality.
Significant reduction in hallucinations and standard deviation in simulated head CT images.
Abstract
Multi-source static Computed Tomography (CT) systems have introduced novel opportunities for adaptive imaging techniques. This work presents an innovative method of fluence field modulation using spotlight collimators. These instruments block positive or negative fan angles of even and odd indexed sources, respectively. Spotlight collimators enable volume of interest imaging by increasing relative exposure for the overlapping views. To achieve high quality reconstructions from sparse-view low-dose data, we introduce a generative reconstruction algorithm called Langevin Posterior Sampling (LPS), which uses a score based diffusion prior and physics based likelihood model to sample a posterior random walk. We conduct simulation-based experiments of head CT imaging for stroke detection and we demonstrate that spotlight collimators can effectively reduce the standard deviation and worst-case…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
