Human noise at the fingertip: Positional (non)control under varying haptic $\times$ musical conditions (Appendices included)
Staas de Jong

TL;DR
This study investigates unintended fingertip positional noise during musical control, characterizing its distribution and exploring force-based methods to reduce it, with implications for improving human-instrument interaction technologies.
Contribution
It provides a detailed analysis of fingertip stillness movement and proposes force and viscosity adjustments to enhance positional control in musical interfaces.
Findings
Fingertip stillness movement has specific spatial and frequency characteristics.
Constant forces and viscosities can reduce movement amplitude.
Results are directly applicable for designing better musical control interfaces.
Abstract
As technologies and interfaces for the instrumental control of musical sound get ever better at tracking aspects of human position and motion in space, a fundamental problem emerges: Unintended or even counter-intentional control may result when humans themselves become a source of positional noise. A clear case of what is meant by this is the "stillness movement" of a body part occurring despite the simultaneous explicit intention for that body part to remain still. In this paper, we present the results of a randomized, controlled experiment investigating this phenomenon along a vertical axis relative to the human fingertip. The results include characterizations of both the spatial distribution and frequency distribution of the stillness movement observed. Also included are results indicating a possible role for constant forces and viscosities in reducing stillness movement…
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