Meta Audiobox Aesthetics: Unified Automatic Quality Assessment for Speech, Music, and Sound
Andros Tjandra, Yi-Chiao Wu, Baishan Guo, John Hoffman, Brian Ellis,, Apoorv Vyas, Bowen Shi, Sanyuan Chen, Matt Le, Nick Zacharov, Carleigh Wood,, Ann Lee, Wei-Ning Hsu

TL;DR
This paper introduces a unified, automated approach for assessing audio aesthetics across speech, music, and sound, using new annotation guidelines and no-reference models that outperform existing methods and are openly available.
Contribution
It presents a novel annotation framework and no-reference prediction models for audio aesthetics, enabling consistent, automated quality assessment across diverse audio types.
Findings
Models achieve performance comparable or superior to human MOS scores.
The approach is applicable to speech, music, and sound, demonstrating versatility.
Open-source code and datasets support future research and benchmarking.
Abstract
The quantification of audio aesthetics remains a complex challenge in audio processing, primarily due to its subjective nature, which is influenced by human perception and cultural context. Traditional methods often depend on human listeners for evaluation, leading to inconsistencies and high resource demands. This paper addresses the growing need for automated systems capable of predicting audio aesthetics without human intervention. Such systems are crucial for applications like data filtering, pseudo-labeling large datasets, and evaluating generative audio models, especially as these models become more sophisticated. In this work, we introduce a novel approach to audio aesthetic evaluation by proposing new annotation guidelines that decompose human listening perspectives into four distinct axes. We develop and train no-reference, per-item prediction models that offer a more nuanced…
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Taxonomy
TopicsMusic Technology and Sound Studies · Music and Audio Processing · Multisensory perception and integration
