Separate This, and All of these Things Around It: Music Source Separation via Hyperellipsoidal Queries
Karn N. Watcharasupat, and Alexander Lerch

TL;DR
This paper introduces a novel music source separation method using hyperellipsoidal queries that allows flexible, query-based extraction of musical components, achieving state-of-the-art results on the MoisesDB dataset.
Contribution
It proposes a new query-by-region system with hyperellipsoidal regions for flexible source separation, moving beyond fixed-stem paradigms.
Findings
Achieved state-of-the-art signal-to-noise ratios.
Demonstrated effective retrieval metrics.
Flexible query specification improves separation performance.
Abstract
Music source separation is an audio-to-audio retrieval task of extracting one or more constituent components, or composites thereof, from a musical audio mixture. Each of these constituent components is often referred to as a "stem" in literature. Historically, music source separation has been dominated by a stem-based paradigm, leading to most state-of-the-art systems being either a collection of single-stem extraction models, or a tightly coupled system with a fixed, difficult-to-modify, set of supported stems. Combined with the limited data availability, advances in music source separation have thus been mostly limited to the "VDBO" set of stems: \textit{vocals}, \textit{drum}, \textit{bass}, and the catch-all \textit{others}. Recent work in music source separation has begun to challenge the fixed-stem paradigm, moving towards models able to extract any musical sound as long as this…
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Taxonomy
TopicsMusic and Audio Processing · Speech and Audio Processing · Music Technology and Sound Studies
MethodsSparse Evolutionary Training
