Decoupling Layout from Glyph in Online Chinese Handwriting Generation
Min-Si Ren, Yan-Ming Zhang, Yi Chen

TL;DR
This paper introduces a hierarchical approach to online Chinese handwriting generation by decoupling layout and glyph synthesis, enabling more realistic and style-consistent text line creation.
Contribution
It proposes a novel framework that separates layout generation from glyph synthesis, utilizing a diffusion-based model for stylized font creation in Chinese handwriting.
Findings
Generated text lines are structurally correct and style-consistent.
Method outperforms prior approaches in realism and style imitation.
Qualitative and quantitative results validate effectiveness.
Abstract
Text plays a crucial role in the transmission of human civilization, and teaching machines to generate online handwritten text in various styles presents an interesting and significant challenge. However, most prior work has concentrated on generating individual Chinese fonts, leaving {complete text line generation largely unexplored}. In this paper, we identify that text lines can naturally be divided into two components: layout and glyphs. Based on this division, we designed a text line layout generator coupled with a diffusion-based stylized font synthesizer to address this challenge hierarchically. More concretely, the layout generator performs in-context-like learning based on the text content and the provided style references to generate positions for each glyph autoregressively. Meanwhile, the font synthesizer which consists of a character embedding dictionary, a multi-scale…
Peer Reviews
Decision·ICLR 2025 Poster
1. The study proposes a hierarchical method to address the under-explored task of online handwritten Chinese text line generation. 2. By decoupling layout generation from glyph generation, the method offers more flexibility in handling the generation of text lines, which is particularly useful when dealing with complex Chinese characters. 3. The experiments conducted on the CASIA-OLHWDB database indicate high performance in imitation sample generation, demonstrating the effectiveness of the met
1. While decoupling layout and glyph generation increases flexibility, it may also add to the model's complexity, potentially affecting training and inference efficiency. 2. Are there any application scenarios for this task? The author could analyze its practicality. 3. The paper mentions difficulties in imitating styles with extensive cursive connections between characters due to the independent generation of each character, indicating potential limitations in handling certain calligraphic styl
(1) The hierarchical decomposition into layout and glyph generation is an innovative approach, particularly suited for complex scripts like Chinese. This framework successfully addresses challenges specific to the language, such as the diversity of character structures. (2) The model is thoroughly tested on both character and line generation, with metrics tailored to layout and stylistic fidelity. The model's success across multiple metrics shows a well-rounded, effective design. (3) Despite t
(1) Missing qualitative comparisons with prior methods, limiting insights into this model’s advantages in style fidelity and layout accuracy. (2) The contributions over previous approaches could be articulated more clearly, especially regarding the effectiveness of the layout-glyph separation. (3) The organization could be refined for readability, as the methods section contains complex explanations that could benefit from clearer structuring.
1) This paper proposes a hierarchical online Chinese handwritten text line generation method. The proposed method utilizes a layout generator and a font synthesizer to produce the layouts and characters independently, then arranges the characters within the layouts to create complete text lines. 2) The proposed method achieves the best performance in purely data-driven font generation task.
1) The multi-scale style encoder is not a new design in handwriting generation area, as a similar idea has been proposed in [a]. Besides, the proposed style contrastive learning loss is somewhat similar to the style learning loss in [b]. 2) The method description is not clear: (1) In lines 233-237, it is mentioned that style reference samples are used as context prefixes, but how they guide the subsequent layout generation is unclear. (2) The paper does not specify the modality of the style ref
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Taxonomy
TopicsHandwritten Text Recognition Techniques · Human Motion and Animation · Hand Gesture Recognition Systems
MethodsConcatenated Skip Connection · Convolution · *Communicated@Fast*How Do I Communicate to Expedia? · Max Pooling · U-Net · Diffusion
