EmoGen: Eliminating Subjective Bias in Emotional Music Generation
Chenfei Kang, Peiling Lu, Botao Yu, Xu Tan, Wei Ye, Shikun Zhang,, Jiang Bian

TL;DR
EmoGen introduces a two-stage system for emotional music generation that reduces subjective bias by using music attributes as an intermediary, improving control accuracy and music quality.
Contribution
The paper proposes a novel two-stage framework that leverages emotion-related attributes and self-supervised learning to eliminate subjective bias in emotional music generation.
Findings
Outperforms previous methods in emotion control accuracy
Generates higher quality emotional music
Disentangles emotion labels from music generation process
Abstract
Music is used to convey emotions, and thus generating emotional music is important in automatic music generation. Previous work on emotional music generation directly uses annotated emotion labels as control signals, which suffers from subjective bias: different people may annotate different emotions on the same music, and one person may feel different emotions under different situations. Therefore, directly mapping emotion labels to music sequences in an end-to-end way would confuse the learning process and hinder the model from generating music with general emotions. In this paper, we propose EmoGen, an emotional music generation system that leverages a set of emotion-related music attributes as the bridge between emotion and music, and divides the generation into two stages: emotion-to-attribute mapping with supervised clustering, and attribute-to-music generation with…
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Taxonomy
TopicsMusic and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception
