MARBLE: Music Audio Representation Benchmark for Universal Evaluation
Ruibin Yuan, Yinghao Ma, Yizhi Li, Ge Zhang, Xingran Chen, Hanzhi Yin,, Le Zhuo, Yiqi Liu, Jiawen Huang, Zeyue Tian, Binyue Deng, Ningzhi Wang,, Chenghua Lin, Emmanouil Benetos, Anton Ragni, Norbert Gyenge, Roger, Dannenberg, Wenhu Chen, Gus Xia, Wei Xue, Si Liu, Shi Wang

TL;DR
MARBLE introduces a comprehensive benchmark for evaluating music audio representations across multiple tasks, datasets, and models, fostering standardized assessment and advancement in music AI understanding.
Contribution
It provides the first universal, community-driven benchmark for music representations, including a taxonomy, evaluation protocol, and open-source toolkit for fair comparison.
Findings
Large-scale pre-trained musical models perform best on most tasks.
The benchmark reveals room for improvement in current music AI models.
MARBLE facilitates fair, reproducible evaluation of music representations.
Abstract
In the era of extensive intersection between art and Artificial Intelligence (AI), such as image generation and fiction co-creation, AI for music remains relatively nascent, particularly in music understanding. This is evident in the limited work on deep music representations, the scarcity of large-scale datasets, and the absence of a universal and community-driven benchmark. To address this issue, we introduce the Music Audio Representation Benchmark for universaL Evaluation, termed MARBLE. It aims to provide a benchmark for various Music Information Retrieval (MIR) tasks by defining a comprehensive taxonomy with four hierarchy levels, including acoustic, performance, score, and high-level description. We then establish a unified protocol based on 14 tasks on 8 public-available datasets, providing a fair and standard assessment of representations of all open-sourced pre-trained models…
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Code & Models
Videos
Taxonomy
TopicsMusic and Audio Processing · Diverse Musicological Studies · Music Technology and Sound Studies
