Tragic and Comical Networks. Clustering Dramatic Genres According to Structural Properties
Szemes Botond, Vida Bence

TL;DR
This paper introduces a method to classify plays as comedies or tragedies based on structural properties of character networks, using statistical features and SVM classification, effective even with small samples.
Contribution
The study develops a robust, interpretable approach for clustering plays by genre through network analysis and statistical features, independent of character count.
Findings
Effective classification of plays into genres using network features
Method works reliably on small datasets
Identifies key structural differences between comedies and tragedies
Abstract
There is a growing tradition in the joint field of network studies and drama history that produces interpretations from the character networks of the plays.The potential of such an interpretation is that the diagrams provide a different representation of the relationships between characters as compared to reading the text or watching the performance. Our aim is to create a method that is able to cluster texts with similar structures on the basis of the play's well-interpretable and simple properties, independent from the number of characters in the drama, or in other words, the size of the network. Finding these features is the most important part of our research, as well as establishing the appropriate statistical procedure to calculate the similarities between the texts. Our data was downloaded from the DraCor database and analyzed in R (we use the GerDracor and the ShakeDraCor…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsComputational and Text Analysis Methods · Folklore, Mythology, and Literature Studies · Music and Audio Processing
