An Analysis Method for Metric-Level Switching in Beat Tracking
Ching-Yu Chiu, Meinard M\"uller, Matthew E. P. Davies, Alvin Wen-Yu, Su, and Yi-Hsuan Yang

TL;DR
This paper introduces the annotation coverage ratio (ACR), a new analysis method for beat tracking that captures metric-level switching behaviors, providing deeper insights into model performance on expressive music with tempo changes.
Contribution
The paper proposes ACR, a novel evaluation metric that accounts for tempo variations and switching behaviors, enhancing the analysis of beat tracking models beyond existing metrics.
Findings
ACR effectively captures metric-level switching behaviors.
ACR provides new insights when used with existing metrics.
Experiments on diverse datasets demonstrate ACR's usefulness.
Abstract
For expressive music, the tempo may change over time, posing challenges to tracking the beats by an automatic model. The model may first tap to the correct tempo, but then may fail to adapt to a tempo change, or switch between several incorrect but perceptually plausible ones (e.g., half- or double-tempo). Existing evaluation metrics for beat tracking do not reflect such behaviors, as they typically assume a fixed relationship between the reference beats and estimated beats. In this paper, we propose a new performance analysis method, called annotation coverage ratio (ACR), that accounts for a variety of possible metric-level switching behaviors of beat trackers. The idea is to derive sequences of modified reference beats of all metrical levels for every two consecutive reference beats, and compare every sequence of modified reference beats to the subsequences of estimated beats. We…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Code & Models
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsMusic and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception
