Hierarchical Vectorization for Portrait Images

TL;DR

This paper introduces a hierarchical vectorization technique for portrait images that enables intuitive editing of geometric features, illumination, and fine details, supported by a deep generative model and a new illumination-sensitive quality metric.

Contribution

The authors propose a novel three-tier hierarchical vectorization method for portraits, combining geometric primitives, illumination regions, and high-frequency details, with a deep generative model and a new evaluation metric.

Findings

Effective for portrait retouching, color transfer, and expression editing

Supports intuitive and precise editing through hierarchical primitives

Outperforms existing metrics in capturing illumination and color changes

Abstract

Aiming at developing intuitive and easy-to-use portrait editing tools, we propose a novel vectorization method that can automatically convert raster images into a 3-tier hierarchical representation. The base layer consists of a set of sparse diffusion curves (DC) which characterize salient geometric features and low-frequency colors and provide means for semantic color transfer and facial expression editing. The middle level encodes specular highlights and shadows to large and editable Poisson regions (PR) and allows the user to directly adjust illumination via tuning the strength and/or changing shape of PR. The top level contains two types of pixel-sized PRs for high-frequency residuals and fine details such as pimples and pigmentation. We also train a deep generative model that can produce high-frequency residuals automatically. Thanks to the meaningful organization of vector primitives, editing portraits becomes easy and intuitive. In particular, our method supports color transfer, facial expression editing, highlight and shadow editing and automatic retouching. Thanks to the linearity of the Laplace operator, we introduce alpha blending, linear dodge and linear burn to vector editing and show that they are effective in editing highlights and shadows. To quantitatively evaluate the results, we extend the commonly used FLIP metric (which measures differences between two images) by considering illumination. The new metric, called illumination-sensitive FLIP or IS-FLIP, can effectively capture the salient changes in color transfer results, and is more consistent with human perception than FLIP and other quality measures on portrait images. We evaluate our method on the FFHQR dataset and show that our method is effective for common portrait editing tasks, such as retouching, light editing, color transfer and expression editing. We will make the code and trained models publicly available.