Inter-Sense: An Investigation of Sensory Blending in Fiction
Roxana Girju, Charlotte Lambert

TL;DR
This paper explores how sensory descriptors in fiction are semantically organized and interconnected, using large-scale distributional semantics to analyze sensory blending across five senses in a vast corpus of novels.
Contribution
It introduces a data-driven method using word embeddings to identify and analyze sensory descriptors and their interconnections in fiction, advancing understanding of perceptual language representation.
Findings
Semantic organization of sensory descriptors revealed
Identification of sensory blending patterns in fiction
Insights into perceptual space structure
Abstract
This study reports on the semantic organization of English sensory descriptors of the five basic senses of sight, hearing, touch, taste, and smell in a large corpus of over 8,000 fiction books. We introduce a large-scale text data-driven approach based on distributional-semantic word embeddings to identify and extract these descriptors as well as analyze their mixing interconnections in the resulting conceptual and sensory space. The findings are relevant for research on concept acquisition and representation, as well as for applications that can benefit from a better understanding of perceptual spaces of sensory experiences, in fiction, in particular, and in language in general.
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsLanguage, Metaphor, and Cognition · Advanced Text Analysis Techniques · Categorization, perception, and language
