Characterizing the Immaterial. Noninvasive Imaging and Analysis of Stephen Benton's Hologram Engine no. 9
Marc Walton, Pengxiao Hao, Marc Vermeulen, Florian Willomitzer, Oliver, Cossairt

TL;DR
This paper explores noninvasive imaging and digital preservation techniques for holograms, addressing challenges in capturing their complex visual properties and ensuring long-term conservation of holographic artworks.
Contribution
It introduces methods for creating digital copies of holograms and analyzes their material properties using noninvasive techniques, advancing hologram conservation and digital archiving.
Findings
High-resolution wavefront capture is data-intensive
Spectral imaging reveals material composition
Optical coherence tomography aids in preservation insights
Abstract
Invented in 1962, holography is a unique merging of art and technology. It persisted at the scientific cutting edge through the 1990s, when digital imaging emerged and supplanted film. Today, holography is experiencing new interest as analog holograms enter major museum collections as bona fide works of art. In this essay, we articulate our initial steps at Northwestern's Center for Scientific Studies in the Arts to describe the technological challenges on the conservation of holograms, emphasizing their nature as an active material. A holographic image requires user interaction to be viewed, and the materials are delicate and prone to deterioration. Specifically, we outline our methods for creating digital preservation copies of holographic artworks by documenting the wavefront of propagating light. In so doing, we demonstrate why it remains challenging to faithfully capture their high…
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Taxonomy
TopicsAdvanced Optical Imaging Technologies · Photorefractive and Nonlinear Optics · Digital Holography and Microscopy
