An Audio Synthesis Framework Derived from Industrial Process Control
Ashwin Pillay

TL;DR
This paper introduces a novel audio synthesis framework inspired by industrial process control, specifically adapting the PID algorithm, and explores its applications and limitations in sound generation.
Contribution
It redefines the PID control algorithm for audio synthesis and implements it as a Python tool, offering an alternative to traditional methods like FM and Wavetable synthesis.
Findings
Effective as an audio signal and LFO generator
Potential to replace FM and Wavetable synthesis techniques
Identifies imperfections and future research directions
Abstract
Since its conception, digital synthesis has significantly influenced the advancement of music, leading to new genres and production styles. Through existing synthesis techniques, one can recreate naturally occurring sounds as well as generate innovative artificial timbres. However, research in audio technology continues to pursue new methods of synthesizing sounds, keeping the transformation of music constant. This research attempts to formulate the framework of a new synthesis technique by redefining the popular Proportional-Integral-Derivative (PID) algorithm used in feedback-based process control. The framework is then implemented as a Python application to study the available control parameters and their effect on the synthesized output. Further, applications of this technique as an audio signal and LFO generator, including its potentiality as an alternative to FM and Wavetable…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsMusic Technology and Sound Studies · Advanced Adaptive Filtering Techniques · Digital Filter Design and Implementation
