Modelling Art Interpretation and Meaning. A Data Model for Describing Iconology and Iconography
S. Baroncini (1), M. Daquino (1), F. Tomasi (1) ((1) Department of, Classical Philology, Italian Studies, University of Bologna)

TL;DR
This paper proposes a data model for representing art interpretation, specifically iconology and iconography, aiming to enhance quantitative art history through ontology extension and validation.
Contribution
It introduces new terms and an extended ontology for better description of iconological aspects in digital art history research.
Findings
Validated new ontology terms through a common evaluation method
Analyzed eleven case studies from literature
Discussed potential applications in digital art history
Abstract
Iconology is a branch of art history that investigates the meaning of artworks in relation to their social and cultural background. Nowadays, several interdisciplinary research fields leverage theoretical frameworks close to iconology to pursue quantitative Art History with data science methods and Semantic Web technologies. However, while Iconographic studies have been recently addressed in ontologies, a complete description of aspects relevant to iconological studies is still missing. In this article, we present a preliminary study on eleven case studies selected from the literature and we envision new terms for extending existing ontologies. We validate new terms according to a common evaluation method and we discuss our results in the light of the opportunities that such an extended ontology would arise in the community of Digital Art History.
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Taxonomy
TopicsAesthetic Perception and Analysis · Visual Culture and Art Theory · Art History and Market Analysis
