Computational timbre and tonal system similarity analysis of the music of Northern Myanmar-based Kachin compared to Xinjiang-based Uyghur ethnic groups
Rolf Bader, Michael Bla{\ss}, Jonas Franke

TL;DR
This study compares the timbre and tonal features of Kachin and Uyghur music using machine learning, revealing clear distinctions and potential for ethnographic analysis beyond language-based classifications.
Contribution
It introduces a computational approach to ethnomusicological comparison, utilizing pitch and timbre features with machine learning to differentiate ethnic musical styles.
Findings
Kachin and Uyghur music form distinct clusters in tonal feature space.
Uyghur music shows larger spectral deviations in timbre features.
Tonal and timbre features effectively differentiate the two ethnic groups' music.
Abstract
The music of Northern Myanmar Kachin ethnic group is compared to the music of western China, Xijiang based Uyghur music, using timbre and pitch feature extraction and machine learning. Although separated by Tibet, the muqam tradition of Xinjiang might be found in Kachin music due to myths of Kachin origin, as well as linguistic similarities, e.g., the Kachin term 'makan' for a musical piece. Extractions were performed using the apollon and COMSAR (Computational Music and Sound Archiving) frameworks, on which the Ethnographic Sound Recordings Archive (ESRA) is based, using ethnographic recordings from ESRA next to additional pieces. In terms of pitch, tonal systems were compared using Kohonen self-organizing map (SOM), which clearly clusters Kachin and Uyghur musical pieces. This is mainly caused by the Xinjiang muqam music showing just fifth and fourth, while Kachin pieces tend to have…
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Taxonomy
TopicsDiverse Musicological Studies · Music and Audio Processing · Cancer-related molecular mechanisms research
