Pricing the Information Quantity in Artworks
Lan Ju, Zhiyong Tu, Changyong Xue

TL;DR
This paper introduces a novel method for art pricing that quantifies the information content of paintings using variance measures of visual elements, significantly enhancing traditional valuation models.
Contribution
It extends Shannon entropy concepts to measure information in paintings through pixel-level variance of visual elements, improving art pricing accuracy.
Findings
Variance measures significantly explain sales prices at 1% or 5% levels.
Adjusted R-squared increases by over 10% with the new measures.
Method enhances traditional art valuation models.
Abstract
In the traditional art pricing models, the variables that capture the painting's content are often missing. Recent research starts to apply the computer graphic techniques to extract the information from the painting content. Most of the research concentrates on the reading of the color information from the painting images and analyzes how different color compositions can affect the sales prices of paintings. This paper takes a different approach, and tries to abstract away from the interpretation of the content information, while only focus on measuring the quantity of information contained. We extend the concept of Shannon entropy in information theory to the painting's scenario, and suggest using the variances of a painting's composing elements, i.e., line, color, value, shape/form and space, to measure the amount of information in the painting. These measures are calculated at the…
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Taxonomy
TopicsArt History and Market Analysis · Aesthetic Perception and Analysis
