Problems and Prospects for Intimate Musical Control of Computers
David Wessel, Matthew Wright

TL;DR
This paper discusses the development of live performance computer-based musical instruments emphasizing ease of use, low latency, and programmability, with applications demonstrated in real performances and future research directions.
Contribution
It introduces custom controllers, adaptations of gestural interfaces, a programmable connectivity processor, and the use of OSC protocol for musical control.
Findings
Successful implementation of custom controllers and interfaces
Low latency and reliable gesture-to-music mapping achieved
Applications demonstrated in real musical performances
Abstract
In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further describe applications of our technology to a variety of real musical performances and directions for future research.
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Taxonomy
TopicsMusic Technology and Sound Studies · Music and Audio Processing · Neuroscience and Music Perception
