Neural Granular Sound Synthesis
Adrien Bitton, Philippe Esling, Tatsuya Harada

TL;DR
This paper introduces a neural network-based approach to granular sound synthesis that uses a variational auto-encoder to create an invertible, structured latent space for more flexible and high-quality audio generation.
Contribution
It replaces traditional acoustic descriptors with a learned probabilistic latent space, enabling continuous, invertible sound synthesis and structured navigation within the sound space.
Findings
Latent space allows continuous sound synthesis.
Model supports various sound types including pitched, unpitched, and environmental noises.
Enables novel processes like conditional sampling and morphing.
Abstract
Granular sound synthesis is a popular audio generation technique based on rearranging sequences of small waveform windows. In order to control the synthesis, all grains in a given corpus are analyzed through a set of acoustic descriptors. This provides a representation reflecting some form of local similarities across the grains. However, the quality of this grain space is bound by that of the descriptors. Its traversal is not continuously invertible to signal and does not render any structured temporality. We demonstrate that generative neural networks can implement granular synthesis while alleviating most of its shortcomings. We efficiently replace its audio descriptor basis by a probabilistic latent space learned with a Variational Auto-Encoder. In this setting the learned grain space is invertible, meaning that we can continuously synthesize sound when traversing its dimensions.…
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Taxonomy
TopicsMusic Technology and Sound Studies · Music and Audio Processing · Speech and Audio Processing
