A group-theoretical classification of three-tone and four-tone harmonic chords
Jason K.C. Polak

TL;DR
This paper introduces a group-theoretical framework to classify three-tone and four-tone chords within the twelve-tone scale, linking mathematical symmetries to musical harmony concepts.
Contribution
It provides a novel classification method based on subgroup actions of symmetric groups, connecting mathematical structures with musical harmony theory.
Findings
Classifies chords using symmetric group subgroups
Establishes a graph relating harmonic actions and chord relationships
Suggests a new concept of distance in harmony theory
Abstract
We classify three-tone and four-tone chords based on subgroups of the symmetric group acting on chords contained within a twelve-tone scale. The actions are inversion, major-minor duality, and augmented-diminished duality. These actions correspond to elements of symmetric groups, and also correspond directly to intuitive concepts in the harmony theory of music. We produce a graph of how these actions relate different seventh chords that suggests a concept of distance in the theory of harmony.
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Taxonomy
TopicsNeuroscience and Music Perception · Musicology and Musical Analysis · Music Technology and Sound Studies
