Some fluid mechanical aspects of artistic painting

TL;DR

This paper explores the fluid mechanics behind various artistic painting techniques, analyzing how physical phenomena like instabilities and filament control contribute to artistic textures and patterns.

Contribution

It provides a scientific analysis of artistic painting methods, linking fluid mechanics principles to the creation of textures and patterns in art.

Findings

Accidental painting is related to Rayleigh-Taylor instability.

Pollock's techniques involve controlling viscous filament motion.

Fluid mechanics can inform art history and conservation.

Abstract

Painting is a fluid mechanical process. The action of covering a solid surface with a layer of a viscous fluid is one of the most common human activities; virtually all man-made surfaces are painted to provide protection against the environment or simply for decoration. This process, in an industrial context, has been vastly studied and it is well understood. In case of artistic painting the purpose is different. Painters learn how to manipulate the non-uniform deposition of paint onto a surface, through lengthy empirical testing of the action and modifying the physical properties of the fluids, to create textures and patterns of aesthetic value. In this paper, an analysis of some notable painting techniques is presented from the point of view of fluid mechanics. In particular, we discuss the so-called `accidental painting' technique, originally devised by David A. Siqueiros, which is the result of a Rayleigh-Taylor instability. An analysis of several techniques used by Jackson Pollock is also presented, showing how he learned to carefully control the motion of viscous filaments to create his famous abstract compositions. We also briefly discuss how pattern and textures are produced in decalcomania and watercolor painting. These investigations indicate that it is possible to establish concrete scientific discussions among modern fluid mechanics, art, art history and conservation.