Cultural transmission modes of music sampling traditions remain stable despite delocalization in the digital age
Mason Youngblood

TL;DR
This study shows that despite digital delocalization, music sampling traditions like drum breaks are still primarily transmitted through artist collaborations, with demographic biases influencing this process over time.
Contribution
It demonstrates that collaboration remains a key mode of cultural transmission for music sampling traditions despite digital and geographical shifts.
Findings
Cultural transmission of drum breaks occurs mainly through artist collaborations.
Geographic proximity influence on collaboration has decreased after 2000.
Gender disparities in collaboration networks have relaxed over time.
Abstract
Music sampling is a common practice among hip-hop and electronic producers that has played a critical role in the development of particular subgenres. Artists preferentially sample drum breaks, and previous studies have suggested that these may be culturally transmitted. With the advent of digital sampling technologies and social media the modes of cultural transmission may have shifted, and music communities may have become decoupled from geography. The aim of the current study was to determine whether drum breaks are culturally transmitted through musical collaboration networks, and to identify the factors driving the evolution of these networks. Using network-based diffusion analysis we found strong evidence for the cultural transmission of drum breaks via collaboration between artists, and identified several demographic variables that bias transmission. Additionally, using network…
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