Groupoids and Wreath Products of Musical Transformations: a Categorical Approach from poly-Klumpenhouwer Networks
Alexandre Popoff, Moreno Andreatta, Andree Ehresmann

TL;DR
This paper introduces a categorical approach to transformational music theory using groupoids and wreath products, extending Klumpenhouwer networks to a more flexible and algebraically rich framework for analyzing post-tonal music.
Contribution
It develops a novel groupoid-based framework for transformational music analysis, connecting poly-Klumpenhouwer networks with wreath products via groupoid bisections.
Findings
Constructed groupoids of musical transformations.
Applied the framework to analyze Berg's Four pieces for clarinet and piano.
Linked groupoids to wreath products through bisections.
Abstract
Transformational music theory, pioneered by the work of Lewin, shifts the music-theoretical and analytical focus from the "object-oriented" musical content to an operational musical process, in which transformations between musical elements are emphasized. In the original framework of Lewin, the set of transformations often form a group, with a corresponding group action on a given set of musical objects. Klumpenhouwer networks have been introduced based on this framework: they are informally labelled graphs, the labels of the vertices being pitch classes, and the labels of the arrows being transformations that maps the corresponding pitch classes. Klumpenhouwer networks have been recently formalized and generalized in a categorical setting, called poly-Klumpenhouwer networks. This work proposes a new groupoid-based approach to transformational music theory, in which transformations of…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
