On the Earthshine depicted in Galileo's watercolors of the Moon
Paolo Molaro

TL;DR
This paper analyzes Galileo's Moon watercolors to suggest they depict Earthshine, highlighting historical observations and the significance of this phenomenon in understanding Earth's similarity to other celestial bodies.
Contribution
It proposes that Galileo's Moon watercolors from 1609 illustrate Earthshine, offering new insight into his observations and the historical understanding of Earth's likeness to other planets.
Findings
Galileo's 1609 watercolor likely shows Earthshine.
Galileo's text discusses Earth as a celestial body.
Watercolors used as models for lunar engravings.
Abstract
With the manuscript of the Sidereus Nuncius preserved at the Biblioteca Nazionale of Florence are included 7 watercolors of the Moon painted by Galileo himself. We suggest that some of them, and in particular the drawing of the 30 Nov 1609 of the very first Moon's observations, illustrate the phenomenon of the Earthshine of the Moon, which was discussed in some detail in the Sidereus Nuncius to provide evidence of the similarity of Earth to other celestial bodies. The watercolors were used as models for the engraving of the Moon in the Sidereus but, surprisingly, the secondary light had not been reproduced. Galileo may have decided for the inclusion of the passage on the Earthshine only at a very late stage of the editorial process. Galileo's hesitation shows how contentious was this issue already recognized as a possible discriminant between the different systems of the world.
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Taxonomy
TopicsHistorical Astronomy and Related Studies · Historical and Architectural Studies · Historical Geography and Cartography
