# Tempered Monoids of Real Numbers, the Golden Fractal Monoid, and the   Well-Tempered Harmonic Semigroup

**Authors:** Maria Bras-Amor\'os

arXiv: 1703.01077 · 2019-11-05

## TL;DR

This paper introduces the concept of tempered monoids derived from musical harmonics and equal temperaments, revealing unique fractal and product-compatible properties, with implications for musical tuning systems.

## Contribution

It defines the tempered monoid structure, characterizes the unique product-compatible and fractal monoids, and connects these mathematical structures to musical tuning, especially the 12-tone equal temperament.

## Key findings

- The logarithmic monoid is the unique product-compatible tempered monoid.
- The golden ratio generates the only nonbisectional fractal monoid.
- Maximum equal divisions of the octave for odd-filterability is 12, matching Western music.

## Abstract

This paper deals with the algebraic structure of the sequence of harmonics when combined with equal temperaments. Fractals and the golden ratio appear surprisingly on the way. The sequence of physical harmonics is an increasingly enumerable submonoid of (R+,+) whose pairs of consecutive terms get arbitrarily close as they grow. These properties suggest the definition of a new mathematical object which we denote a tempered monoid. Mapping the elements of the tempered monoid of physical harmonics from R to N may be considered tantamount to defining equal temperaments. The number of equal parts of the octave in an equal temperament corresponds to the multiplicity of the related numerical semigroup. Analyzing the sequence of musical harmonics we derive two important properties that tempered monoids may have: that of being product-compatible and that of being fractal. We demonstrate that, up to normalization, there is only one product-compatible tempered monoid, which is the logarithmic monoid, and there is only one nonbisectional fractal monoid which is generated by the golden ratio. The example of half-closed cylindrical pipes imposes a third property to the sequence of musical harmonics, the so-called odd-filterability property. We prove that the maximum number of equal divisions of the octave such that the discretizations of the golden fractal monoid and the logarithmic monoid coincide, and such that the discretization is odd-filterable is 12. This is nothing else but the number of equal divisions of the octave in classical Western music.

## Full text

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## Figures

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## References

25 references — full list in the complete paper: https://tomesphere.com/paper/1703.01077/full.md

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Source: https://tomesphere.com/paper/1703.01077