Identifying Designs from Incomplete, Fragmented Cultural Heritage Objects by Curve-Pattern Matching
Jun Zhou, Haozhou Yu, Karen Smith, Colin Wilder, Hongkai Yu, Song Wang

TL;DR
This paper introduces a novel partial-to-global curve matching algorithm designed to reconstruct complete designs from fragmented, noisy cultural heritage objects, demonstrated on pottery sherds with promising results.
Contribution
The paper presents a new curve matching algorithm tailored for fragmentary cultural heritage objects, improving design identification over classical methods.
Findings
Successfully identified full designs from pottery sherds
Outperformed classical curve-matching algorithms
Effective on real archaeological data
Abstract
Study of cultural-heritage objects with embellished realistic and abstract designs made up of connected and intertwined curves crosscuts a number of related disciplines, including archaeology, art history, and heritage management. However, many objects, such as pottery sherds found in the archaeological record, are fragmentary, making the underlying complete designs unknowable at the scale of the sherd fragment. The challenge to reconstruct and study complete designs is stymied because 1) most fragmentary cultural-heritage objects contain only a small portion of the underlying full design, 2) in the case of a stamping application, the same design may be applied multiple times with spatial overlap on one object, and 3) curve patterns detected on an object are usually incomplete and noisy. As a result, classical curve-pattern matching algorithms, such as Chamfer matching, may perform…
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