Variation of singing styles within a particular Gharana of Hindustani classical music A nonlinear multifractal study
Archi Banerjee, Shankha Sanyal, Ranjan Sengupta, Dipak Ghosh

TL;DR
This study uses nonlinear multifractal analysis to quantitatively examine how singing styles evolve across generations within the Patiala Gharana of Hindustani classical music, revealing the influence of tradition and globalization.
Contribution
It introduces a novel application of multifractal analysis to study the evolution of singing styles within a Gharana over generations.
Findings
Multifractal spectral width varies across generations.
Analysis indicates changes in complexity of singing styles.
Results support the influence of tradition and globalization on musical evolution.
Abstract
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular musical style. Gharanas have their basis in the traditional mode of musical training and education. Every Gharana has its own distinct features; though within a particular Gharana, significant differences in singing styles are observed between generations of performers, which can be ascribed to the individual creativity of that singer. This work aims to study the evolution of singing style among four artists of four consecutive generations from Patiala Gharana. For this, alap and bandish parts of two different Ragas sung by the four artists were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The multifractal spectral width obtained from the MFDFA method gives an estimate of the…
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Taxonomy
TopicsComplex Systems and Time Series Analysis · Chaos control and synchronization · Fractal and DNA sequence analysis
