Long time-scale behavior of the Blazhko effect from rectified Kepler data
J.M. Benk\H{o}, E. Plachy, R. Szab\'o, L. Moln\'ar, Z. Koll\'ath

TL;DR
This study analyzes 15 Blazhko RR Lyrae stars using four years of Kepler data, revealing a higher incidence of multiperiodic modulation, potential resonance effects, and excitation of the second radial overtone mode, providing unprecedented insights into the Blazhko effect.
Contribution
The paper presents the longest, most precise Kepler-based analysis of Blazhko RR Lyrae stars, uncovering higher multiperiodic modulation rates and new mode excitations.
Findings
80% of stars are multiperiodically modulated, higher than previous estimates.
Detected excitation of the second radial overtone mode in three stars.
Modulation periods often have ratios close to small integers, suggesting resonances.
Abstract
In order to benefit from the 4-year unprecedented precision of the Kepler data, we extracted light curves from the pixel photometric data of the Kepler space telescope for 15 Blazhko RR Lyrae stars. For collecting all the flux from a given target as accurately as possible, we defined tailor-made apertures for each star and quarter. In some cases the aperture finding process yielded sub-optimal result, because some flux have been lost even if the aperture contains all available pixels around the star. This fact stresses the importance of those methods that rely on the whole light curve instead of focusing on the extrema (O-C diagrams and other amplitude independent methods). We carried out detailed Fourier analysis of the light curves and the amplitude independent O-C diagram. We found 12 (80%) multiperiodically modulated stars in our sample. This ratio is much higher than previously…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
