Could Jean-Dominique Cassini see the famous division in Saturn's rings?
Julien Lozi, Jean-Michel Reess, Alain Semery, Emilie Lhom\'e, Sophie, Jacquinod, Michel Combes, Pernelle Bernardi, R\'emi Andretta, Maxime Motisi,, Laurence Bobis, Emilie Kaftan

TL;DR
This study investigates whether Jean-Dominique Cassini could have observed the division in Saturn's rings using the optical lenses he had in the 17th century, combining historical analysis with optical simulations.
Contribution
The paper combines historical lens analysis with optical simulations to assess Cassini's observational capabilities of Saturn's ring division.
Findings
Cassini's lenses had high optical quality with Strehl ratios above 0.8.
Simulations suggest Cassini could have observed the ring division.
Optical quality and atmospheric conditions support historical observations.
Abstract
Nowadays, astronomers want to observe gaps in exozodiacal disks to confirm the presence of exoplanets, or even make actual images of these companions. Four hundred and fifty years ago, Jean-Dominique Cassini did a similar study on a closer object: Saturn. After joining the newly created Observatoire de Paris in 1671, he discovered 4 of Saturn's satellites (Iapetus, Rhea, Tethys and Dione), and also the gap in its rings. He made these discoveries observing through the best optics at the time, made in Italy by famous opticians like Giuseppe Campani or Eustachio Divini. But was he really able to observe this black line in Saturn's rings? That is what a team of optical scientists from Observatoire de Paris - LESIA with the help of Onera and Institut d'Optique tried to find out, analyzing the lenses used by Cassini, and still preserved in the collection of the observatory. The main…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
