An end-to-end machine learning system for harmonic analysis of music
Yizhao Ni, Matt Mcvicar, Raul Santos-Rodriguez, Tijl De Bie

TL;DR
This paper introduces a machine learning system for harmonic analysis of music audio, capable of estimating keys, chords, and bass notes simultaneously, using a novel perceptually-informed chromagram representation.
Contribution
It presents a fully machine learning-based system with a new chromagram representation, achieving state-of-the-art performance and broad applicability across music genres.
Findings
Fast and memory-efficient system
Achieves state-of-the-art accuracy
Applicable to various music genres
Abstract
We present a new system for simultaneous estimation of keys, chords, and bass notes from music audio. It makes use of a novel chromagram representation of audio that takes perception of loudness into account. Furthermore, it is fully based on machine learning (instead of expert knowledge), such that it is potentially applicable to a wider range of genres as long as training data is available. As compared to other models, the proposed system is fast and memory efficient, while achieving state-of-the-art performance.
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsMusic and Audio Processing · Speech and Audio Processing · Music Technology and Sound Studies
