The statistical laws of popularity: Universal properties of the box office dynamics of motion pictures

TL;DR

This paper uncovers universal statistical laws governing movie popularity, revealing that box-office incomes follow log-normal distributions, exhibit bimodal patterns, and decay over time, which can be modeled to predict movie survival probabilities.

Contribution

It identifies fundamental empirical laws of movie popularity, linking distribution patterns and decay dynamics to a Weibull survival model, suggesting broader applicability to popularity phenomena.

Findings

Log-normal distribution describes the tail of income distributions.

Popularity exhibits a bimodal distribution, with movies either performing very well or poorly.

Gross income per theater decays as a power law over time.

Abstract

Are there general principles governing the process by which certain products or ideas become popular relative to other (often qualitatively similar) competitors? To investigate this question in detail, we have focused on the popularity of movies as measured by their box-office income. We observe that the log-normal distribution describes well the tail (corresponding to the most successful movies) of the empirical distributions for the total income, the income on the opening week, as well as, the weekly income per theater. This observation suggests that popularity may be the outcome of a linear multiplicative stochastic process. In addition, the distributions of the total income and the opening income show a bimodal form, with the majority of movies either performing very well or very poorly in theaters. We also observe that the gross income per theater for a movie at any point during its lifetime is, on average, inversely proportional to the period that has elapsed after its release. We argue that (i) the log-normal nature of the tail, (ii) the bimodal form of the overall gross income distribution, and (iii) the decay of gross income per theater with time as a power law, constitute the fundamental set of {\em stylized facts} (i.e., empirical "laws") that can be used to explain other observations about movie popularity. We show that, in conjunction with an assumption of a fixed lower cut-off for income per theater below which a movie is withdrawn from a cinema, these laws can be used to derive a Weibull distribution for the survival probability of movies which agrees with empirical data. The connection to extreme-value distributions suggests that popularity can be viewed as a process where a product becomes popular by avoiding failure (i.e., being pulled out from circulation) for many successive time periods. We suggest that these results may apply to popularity in general.