Haptics in computer music : a paradigm shift
Nicolas Castagn\'e (ACROE), Claude Cadoz (ACROE, ICA), Jean-Loup, Florens (ACROE), Annie Luciani (ACROE, ICA)
TL;DR
This paper argues that haptic force feedback transducers represent a paradigm shift in real-time computer music creation tools, positioning computer music as a key area for haptic technology research and application.
Contribution
It introduces the concept of a paradigm shift in computer music through haptic force feedback, highlighting its significance for future research and development.
Findings
Haptic force feedback enables new real-time music creation methods
Computer music is a major application area for haptic technology
The paper provides a bibliographic overview of haptics in music
Abstract
With an historical point of view combined with a bibliographic overview, the article discusses the idea that haptic force feedback transducers correspond with a paradigm shift in our real-time tools for creating music. So doing, il shows that computer music may be regarded as a major field of research and application for haptics.
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Taxonomy
TopicsTactile and Sensory Interactions · Teleoperation and Haptic Systems · Music Technology and Sound Studies