What is instrumentality in new digital msuical devices ? A contribution from cognitive linguistics and psychology
Caroline Cance, Hugues Genevois, Dani\`ele Dubois

TL;DR
This paper examines the evolution of musical instruments from mechanical to digital forms, analyzing historical developments and discourses to understand changes in instrumentality through cognitive linguistics and psychology.
Contribution
It offers a multidisciplinary analysis of how digital instruments have transformed the concept of instrumentality in musicology and computer music.
Findings
Historical overview of technological developments in musical instruments
Analysis of discourses and terminologies in musicology and computer music
Insights into the cognitive and psychological aspects of digital instrumentality
Abstract
As far as music is concerned, instruments have always been part of a cultural ?landscape? (on technical, expressive and symbolic levels). The present contribution explores the changes brought about by the shift that occurred during the 20th century, from mechanical to digital instruments (also named ?virtual instruments?). First and foremost, a short recall of some historical steps of the technological developments that have renewed our relationship to sound, music, and instruments will be presented. Second, an analysis of different discourses and terminologies presently used in the domains of musicology and computer music will account for the evolution of the notion of instrumentality.
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Taxonomy
TopicsMusic Technology and Sound Studies · Media, Communication, and Education · Multisensory perception and integration
