A Grateful Dead Analysis: The Relationship Between Concert and Listening Behavior
Marko A. Rodriguez, Vadas Gintautas, Alberto Pepe

TL;DR
This study compares Grateful Dead concert set lists with online listening data, revealing a strong correlation and highlighting unique fan behaviors and band characteristics long after the band's end.
Contribution
It provides a novel comparative analysis between concert set lists and digital listening patterns, uncovering long-term fan engagement and band-song relationships.
Findings
Strong correlation between concert set lists and online listening habits
Identification of outlier songs revealing band and fan dynamics
Insights into long-term fan engagement post-band dissolution
Abstract
The Grateful Dead were an American band that was born out of the San Francisco, California psychedelic movement of the 1960s. The band played music together from 1965 to 1995 and is well known for concert performances containing extended improvisations and long and unique set lists. This article presents a comparative analysis between 1,590 of the Grateful Dead's concert set lists from 1972 to 1995 and 2,616,990 last.fm Grateful Dead listening events from August 2005 to October 2007. While there is a strong correlation between how songs were played in concert and how they are listened to by last.fm members, the outlying songs in this trend identify interesting aspects of the band and their fans 10 years after the band's dissolution.
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Taxonomy
TopicsMusic History and Culture · American Political and Social Dynamics · Musicology and Musical Analysis
