Baryonic Acoustic Oscillations in 21cm Emission: A Probe of Dark Energy out to High Redshifts
Stuart Wyithe, Abraham Loeb, Paul Geil

TL;DR
This paper explores how low-frequency 21cm emission observations can serve as a powerful probe of dark energy by detecting baryonic acoustic oscillations across a wide redshift range, including the epoch of reionization.
Contribution
It demonstrates that upcoming 21cm experiments can measure the acoustic scale with high precision at high redshifts, providing a new method to study dark energy evolution.
Findings
First-generation experiments can constrain the acoustic scale to a few percent at high redshifts.
Future experiments could achieve sub-percent sensitivity, enabling detailed dark energy studies.
21cm fluctuation observations can complement galaxy surveys by covering redshifts up to z~12.
Abstract
Low-frequency observatories are currently being constructed with the goal of detecting redshifted 21cm emission from the epoch of reionization. These observatories will also be able to detect intensity fluctuations in the cumulative 21cm emission after reionization, from hydrogen in unresolved damped Ly-alpha absorbers (such as gas rich galaxies) down to a redshift z~3.5. The inferred power spectrum of 21cm fluctuations at all redshifts will show acoustic oscillations, whose co-moving scale can be used as a standard ruler to infer the evolution of the equation of state for the dark energy. We find that the first generation of low-frequency experiments (such as MWA or LOFAR) will be able to constrain the acoustic scale to within a few percent in a redshift window just prior to the end of the reionization era, provided that foregrounds can be removed over frequency band-passes of >8MHz.…
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
