Phase space methods and psychoacoustic models in lossy transform coding
Matthew Charles Cargo

TL;DR
This paper introduces a novel lossy audio coding method using phase space techniques and psychoacoustic models, linking time-frequency representations to perceptual thresholds for improved encoding.
Contribution
It applies Weyl symbol calculus to develop a new transform coding approach that incorporates psychoacoustic masking and perceptual entropy measures.
Findings
Establishes a connection between time-frequency masking and encoding
Provides a formalism for perceptual entropy measurement
Enhances audio compression by integrating psychoacoustic models
Abstract
I present a method for lossy transform coding of digital audio that uses the Weyl symbol calculus for constructing the encoding and decoding transformation. The method establishes a direct connection between a time-frequency representation of the signal dependent threshold of masked noise and the encode/decode pair. The formalism also offers a time-frequency measure of perceptual entropy.
Peer Reviews
No public reviews on file for this paper yet. If you reviewed it on a platform where reviews are public (OpenReview, ICLR, NeurIPS, ICML), you can paste yours below so the community can read it here.
Videos
No videos yet. Explain this paper in a talk, walkthrough, or lecture? Add one.
Taxonomy
TopicsMusic Technology and Sound Studies · Music and Audio Processing · Digital Filter Design and Implementation
